Saturday, 28 March 2015

Posted by AKANKSHA CREATIONS On 08:10
Nazir Hussain is an Indian Film Star of all time. He had worked in more than 400 movies and is also known as Pitamah of Bhojpuri Cinema because he had worked in many early Bhojpuri Films and most of them were hit for people. He was born on 15 May 1922 in the village of Usia in Ghazipur district of Uttar Pradesh. Not many know that he was in Subash Chandra Bose's Indian National Army (INA), which became the reason for his entry into Bollywood.
Nazir Hussain's father Shahabzad Khan was a guard in the Railways and Hussain grew up in Lucknow. He worked in the British army for a short time but came under the influence of Subhas Chandra Bose and joined the Indian National Army (INA). In those days Bimal Roy was planning a film on Bose and the INA. To give it an authentic touch he was scouting for INA members to help him. Nazir Hussain's personality and impressive voice perhaps helped Bimal Roy to notice him. However, Hussain was reluctant to work in films as he had no such background. After much persuasion and cajoling from friends and colleagues he relented. 'Pehla Aadmi' released in 1950 launched him to stardom and he became a permanent fixture in Bimal Roy's movies.
He had played iconic roles in many Bollywood movies such as - Kati Patang, Jewel Thief, Parakh, Khamoshi, Kashmir ki Kali etc.
He is now of 92 but he is a lovely and respectable person forever.

Wednesday, 25 March 2015

Posted by AKANKSHA CREATIONS On 08:38
Raja Harishchandra (Marathi: राजा हरिश्चंद्र Rājā Hariścandra) is a 1913 Indian silent film, directed and produced by Indian icon Dadasaheb Phalke, and is the first full-length Indian feature film.The film was based on the legend of Raja Harishchandra, recounted in the Ramayana and Mahabharata. Although a silent film with intertitles in English and Hindi, its cast and staff was Marathi and it is therefore often regarded as the first Marathi film as well.



The film marked a historic benchmark in the film industry in India. Only one print of the film was made and shown at the Coronation Cinematograph. It was a commercial success and paved the way for more such films.

Raja harishchandra was a remarkable film for all time not only because it was the first film of indian cinema but also  because it was the film which covers the story of the king who never lies to anyone.
We also know Raja Harishchandras Satyavadi Harishchandra because of this quality.
This is an Inspirational Film and everybody specially teenagers and children should watch the copies of this film to understand the value of truthfulness and kindness in life and should salute the man who made this outstanding silent movie.

Monday, 23 March 2015

Posted by Jairaj Prasad On 03:02
Hay! Everyone, We are Officially Launching this Blog! Now you can receive faster updates from us!
We were planning to have a blog since last years, and you know every great thing takes its time. And now, we'll not just share new thing happening only at our Creative Studios, but all those cool things that are related to morals, entertainment, education etc. The articles will also revolve around The Classic Era of Indian Cinema. The blog will be handled by the members of our Creative Team. And believe it, they are crazy fans of Classic movies, songs and music.

Stay connected with us by Subscribing this blog, from the corner (right) option, and you will Get free Updates of this Blog via Feedburner, directly at your E-mail Inbox! Subscribing the blog is totally free!
You can also connect with us on YouTube & facebook Now!

Stay up to date with Latest Trends! Happy Reading! :-D

Saturday, 21 March 2015

Posted by Jairaj Prasad On 09:19

Kishore Kumar (born Abhas Kumar Ganguly 4 August 1929 – 13 October 1987) was an Indian film playback singer, actor, lyricist, composer, producer, director, screenplay writer and scriptwriter. He is in general considered one of the most successful & greatest playback singers of the film industry. He sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam, Oriya, and Urdu. He has also sung in private albums in several languages especially in Bengali which are noted as all time classics. He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for winning the most Filmfare Awards in that category. He was awarded the "Lata Mangeshkar Award" by the Madhya Pradesh government and from that year onwards, the Madhya Pradesh Government initiated a new award called the "Kishore Kumar Award" for contributions to Hindi cinema.

The Man who popularised Yodelling


Kishore Kumar a name that is synonymous with the yodelling that started out in the music world many many years back when only classically oriented singers were giving the playback in the films.

For people who do not know much about Kishore Kumar and probably have heard a few great songs of his and hum them in the pastime being thoroughly ignorant about the singer.

His Birth and His family

Kishore Kumar was born on 4th August 1929 in a middle class home at Khandwa. He was the youngest in the family. Kishore Kumar’s father, whose name was Kunjhalal Gangoly, a lawyer by profession, was a modest man. Kishore’s mother Gauri Devi, hailed from a wealthy family and had received an education denied in those days to most girls. Of the four children, Ashok Kumar was the eldest, born on 13 October 1911 and was twenty years older than Kishore . He was followed by a daughter who was about 15 years older to Kishore. Her name was Sati Devi. The next was a boy, Anoop Kumar – who was about 5 years older than Kishore, who was the youngest of all.

His Childhood

As a young boy, Kishore was full of mischief and pranks. He loved to play and almost never tired of seeking amusements . He constantly thought up antics to play on his sister and his brother Anoop Kumar. Kishore was very close to his sister, who appreciated his sense of humour. Though the interaction with his eldest brother was minimal as Ashok Kumar left home to study law after graduating in science. He met his brother occasionally when Ashok used to come to visit the family.
Though Kishore went to a prominent school at Khandwa, he was never interested and he hated reading books and having to learn under a discipline that seemed to curb his natural steam.

The Influence

Kishore Kumar used to sing for his parents and they would give him money as a small token. His father often asked him to sing Ashok Kumar’s song from the movie Achut Kanya.(Main ban ki chidya .. bolun re..). Kishoreda was good at imitating and this was near to perfect when it came to singing K.L.Saigal’s songs. K.L.Saigal turned out to be his mentor and meeting him was his wish at the top of his mind. Sadly, the meeting with Saigal did not take place, for Saigal died soon after Kishore’s arrival in Mumbai.

The move into the filmdom

Ashok Kumar thought it was best for Kishoreda to try and pick up acting by initially doing small roles in films and he also considered that just singing was not lucrative as acting. Kishore knew that he was cut out to do the romantic hero. He felt was just an ordinary looking person. In his heart, Kishore resolved to try and pursue a singing career, which he was confident about. He was rejected many times on the pretext of “Your voice is no good; us mein woh cheez nahin hai.’
He was offered a small role in the movie Ziddi and it happened in the making of this movie. Khemchand Prakash heard Kishore Kumar sing and was impressed. He told Ashok Kumar that the boy (Kishore) had a future as a singer. Khemchand went ahead and gave a song to Kishore who executed it in a typical Saigal style..Marne ki duayen lyon maangon…. What impressed Khemchand was the skill with which Kishore held the tune.

The early times with the Burmans

Sr.Burman was visiting Ashok Kumar when he heard Kishore sing in his bath. When he was told who was singing, he decided to wait and meet Kishore. He complimented his singing and told him that he should develop a style of his own. In his own words ‘Saigal is undoubtedly a great singer, but there not much sense in imitating him; a singer needs to have a distinct style that is his own.’ How true it was what he said.
What launched KK as a hit was Aradhana with his Mere Sapnon Ki Rani under the music direction of S.D.Burman. The rest is history…